Dull Sir John or St. John is an English Country Dance. It was found in the Lovelace Manuscript (written somewhere around the 1640s) and later published in The English Dancing Master. It was interpreted by Cecil Sharp (website) in 1911 and published in The Country Dance Book (Part 2). It is a Square dance. It is a multipart dance. The dance lasts 96 bars. The tune is a jig. It is in the key: G Minor.
This appears in The Lovelace MS. under the title of "St. John":
They shall stand in a square 4: Then the couple that leade the dance, shall goe round about, between the couple that he standeth next unto; and not holding handes but letting goe, for the man shall goe about the woeman, that is next unto him, and the woeman that is next to her, on the other side, then the couple that is over against the couple that leade shall doe the like on theire sides, then the two other couple the like and after the other, each on his side after the same manner, then the couple that leades the dance, and the couple over against shall dance the hays till both couple shall come to theire places, Then the other couple shall doe the same;They shall stand in their posture; and the couple that leade the dance shall goe through the midle of the foure that stand in a line, whilst the couple over against parts, and goes through the sides, into the 1 couples place, and then come backe againe through the midle, and the first couple shall goe backe through the sides into their places, and then presently shall they slide all 4 in a rond like the others were, and then the other 4 shall doe the same, like as it is written before, and then going being all againe in their places the couple that leades shall change places with the couple over against them, that is first the man, with the man, and the woeman across with the woeman, and then all 4 joyne hands and turne round into their places, and then ye other 4 that stood still shall doe the same;All the men at once shall falle of towards the left hand, and shall turne round, and come in the other side of his woeman, every man soe, and then the woemen shall fall of also, and come to theire men on the right side, then the men the like againe, and the woemen the like againe, and then the 2 couple that leade, shall sett to each other, and fall backe, and then joyne hands, and turne round into their places, then the other couple sett, and doe the same, and soe all in their places
Playford writes:
The first cu. lead in and cast off to your places, the man going between the 2. cu. and the wo. between the 4. and 3. cu. as much The 2. as much, and the 4 as much The 1. and 3. man change places across, their we. as much, hands all four either round or across, and go round to your places The 2. and 4. cu. as much And fall the last four the men behind the we. The 4. and 2. man standing behind their we. the first cu. pass into the 3. place, the man going between the 2. cu. and the wo. between the 4. whilst the 3. cu. lead right over and fall into first place, this back again to your places, the first cu. doing as the 3. did, and the 3. as the first, the 4. as much Then the 1. and 3. cu. the S. Hey twice to your places, the we. who stand before their men leading it The other four as much Men cast off, and going on the outside your own we. fall into each others place, we. as much, men as much again, we. as much First and 3. cu. meet, go about each other, we. back to back, not turning your faces, give right hands to the co. we. and left hands to your own, and so stay in your own places as at first, the other four doing the like
This dance, along with Hide Park and Faine I would, is described by Playford in 1651 as "A Square Dance for eight". On the other hand Newcastle , Mage on a Cree, If All the World Were Paper, etc. are described as "Round for eight".
Playford (and Sharp) number couples clockwise. I have changed their nomenclature to match that of modern square dances with couples numbered counter clockwise.
The animation plays at 120 counts per minute. Men are drawn as rectangles, women as ellipses. Each couple is drawn in its own color.
| I.A1 | 1-4 | 1s lead between 4s, loop around them, and back to place |
| 5-8 | 3s lead between 2s, loop around them, and back to place | |
| I.A2 | 1-4 | 4s lead between 3s, etc. |
| 5-8 | 2s lead between 1s, etc. | |
| I.B1 | 1-2 | Head men change places |
| 3-4 | Head women change | |
| 5-8 | Heads right hands across half | |
| I.B2 | 1-8 | Sides the same (side men ending behind their partners) |
| II.A1 | 1-4 | M1 cross between 4s ending in W3's place as W1 cross between 2s ending in M3s spot and 3s cross the set to the 1s' places |
| 5-8 | M3 cross between 2s ending home, as W3 cross between 4s ending home and 1s go home (head men stand behind their partners) | |
| II.A2 | 1-4 | M4 cross between 3s ending in W2's place as W4 cross between 1s ending in M2s spot and 2s cross the set to the 4s' places |
| 5-8 | M2 cross between 1s ending home as W2 cross between 3s and 4s cross home | |
| II.B1 | 1-8 | Heads dance a right shoulder linear hey for four, women starting |
| II.B2 | 1-8 | Sides dance a right shoulder linear hey for four, women starting |
| III.A1 | 1-4 | Men cast left pass behind partner to next man's spot |
| 5-8 | Women cast right, pass behind neighbor to next woman's spot | |
| III.A2 | 1-4 | Men cast left one place again |
| 5-8 | Women cast right again | |
| III.B1 | 1-4 | Heads back to back |
| 5-6 | Heads right hand pull-by opposite | |
| 7-8 | Heads left hand pull-by partner (rights and lefts, heads are now home) | |
| III.B2 | 1-4 | Sides back to back |
| 5-6 | Sides right hand pull-by opposite | |
| 7-8 | Sides left hand pull-by partner |
If you find what you believe to be a mistake in this animation, please leave a comment on youtube explaining what you believe to be wrong. If I agree with you I shall do my best to fix it.
If you wish to link to this animation please see my comments on the perils of youtube. You may freely link to this page, of course, and that should have no problems, but use one of my redirects when linking to the youtube video itself:
https://www.upadouble.info/redirect.php?id=DullSirJohn
The dance itself is out of copyright, and is in the public domain. The interpretation is out of copyright, and is in the public domain. My visualization of this dance is copyright © 2021 by George W. Williams V and is released under a Creative Commons Attribution 4.0 International License.
This website is copyright © 2021-2025 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.