

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Althea | ![]() | John Playford 1657 Cecil Sharp 1912 | Colin Hume | Facing Couples Becket |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Baffled Knight | ![]() | Marjorie Heffer & William Porter 1932 | Colin Hume | 4 Couple Longways |
| Beaux of Oak Hill | ![]() | Elias Howe 1862 Smukler & Millstone ~2008 | ![]() | Duple Minor |
| Bird in the Cage ~ The Running Set | ![]() | Cecil Sharp & Maud Karpeles 1918 | ![]() | Square |
| Birdie in a Cage | ![]() | Lloyd Shaw 1939 | ![]() | Square |
| Black Joak | ![]() | Walsh 1731 Michael Barraclough 2017 | ![]() | Duple Minor |
| Bonny Breast Knot | ![]() | English Traditional (date unknown) Maud Karpeles & Cecil Sharp ~1930 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Christ-Church Bells in Oxon #2 | ![]() | John Young 1721 Douglas & Helen Kennedy 1929 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Every Lad His Lass
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Hopatcong Hop | ![]() | Fried de Metz Herman 1991 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Irish Wash Woman
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Jack-in-the-Box | ![]() | Colin Hume 1992 | Colin Hume | 4 Couple Longways |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| London is a Fine Town | ![]() | John Playford 1657 Cecil Sharp 1911 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Old Noll's Jig ~ Hume | ![]() | Henry Playford 1702 | Colin Hume | Duple Minor |
| Old Oxford | ![]() | John Young 1718 George Williams 2022 | Bare Necessities | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Peace and Plenty - Playford | ![]() | John Young 1718 George Williams 2022 | Bare Necessities | Duple Minor |
| Perfections of Love ~ Cook | ![]() | Wright 1740 Tom Cook 1979 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Running Set | ![]() | Cecil Sharp & Maud Karpeles 1918 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Scotch Billy | ![]() | Walsh 1731 Tom Cook 1979 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Thomas I Cannot | ![]() | John & William Neal 1726 Rich Jackson & George Fogg 1990 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Watton Town's End | ![]() | John Playford 1657 Cecil Sharp 1911 | ![]() | Duple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 19 | 21 | 7 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Also known as: Leap, Hop, Caper, Saltation.
Bars: 2.
Many dances call for jumps, hops, leaps, etc. Indeed a latin word for "to dance" is saltatio which also means "to jump".
Playford uses "jump" in Althea, 1657, "leap" in Mr. Lane's Maggot, 1695, and "hop" in Granny's Delight, 1702.
John Essex, in For the Further Improvement of Dancing,, 1710, said the dancers should jump at the end of every phrase of music:
As it is ordinary that every figure of a Dance ends at every cadence or end of the Aire, it will be proper to make a small Jump upon both Feet.
In the patter for one of his Square Dance introductions, Lloyd Shaw said:
All jump up and never come down, Swing your honey around and around.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.