Table of Contents
C
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Choreograffiti |  | Renée Camus 2026
| Choreograffiti Audrey Jaber, Shira Kammen, Chip Prince, Christopher Jacoby, and Jim Oakden | Duple Minor |
G
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Gleaners | | Ron Coxall ~1999
|  | 3 Couple Longways permutation: 231 |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 2 | 2 | 1 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Draw Poussette
Bars: 8 for a full, 4 for a half.
The draw poussette is similar to a normal poussette except that the couple turns through 180° so that the person who was pushing continues to push the entire time. This means that the person who was on the men’s line ends on the women’s line and vice versa.
History
Colin Hume suggests (and I agree with him) that this is a modern misunderstanding.
Cecil Sharp, in his interpretation of Jog On, My Honey describes the motions of a draw poussette (but doesn't not name it), but Playford's original seems to me to describe a normal poussette.
In 1922, Sharp's interpretation of Crosbey-Square again describes a draw poussette, but doesn't name it.
The next use of a draw poussette occurs in 1962 in Pat Shaw's interpretation of Thomas Wilson's Captain MacIntosh (on page 113), and Shaw appears to be the first to name the figure. Wilson defines his figures in The Complete System of English Country Dancing, and calls his poussette a "Half pousette or draw" so that may explain where Shaw got the name. Wilson's figure and instructions are not the clearest, but as his "Whole Pousette" is progressive it can't leave couples improper, so it can't be what we now call a draw poussette.
See Also
This website is copyright © 2021-2026 by George W. Williams V
My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.