Alice M. Allen
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Any Which Way |  | Alice M. Allen ~2016 |  | 4 Couple Longways permutation: 2413 |
Deanna St. Amand
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Casey Shaye | | Deanna St. Amand 2019 | | 3 Couple Longways permutation: 312 |
Donald J Bartlett
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Smiling Lila | | Donald J Bartlett 2017 | | Triple Minor |
Dan Blim
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Vines Entwined |  | Dan Blim 2024 | Frank Hoppe | Duple Minor |
Iain Boyd
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Grey Wanderer | | Iain Boyd 1982 | | 4 Couple Longways permutation: 2413 |
Melbourne Briscoe
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Many Happy Returns ~ Briscoe | | Melbourne Briscoe 1995 | | Triple Minor |
Alasdair Brown
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Ruby Wilkinson's Farewell to Cranshaws | | Alasdair Brown 2015 | | 4 Couple Longways permutation: 2413 |
Duncan Brown
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Glastonbury Tor | | Duncan Brown 2001 | | Triple Minor |
| The Tea Pottery | | Duncan Brown ~2020 | | Square |
Elaine Brunken
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| It's About Time | | Elaine Brunken 2013 | | Triple Minor |
Andrew Buxton
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Farewell to Balfour Road | | Andrew Buxton 2018 | | 5 Couple Longways |
Shirley Campbell
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Flight to Melbourne | | Shirley Campbell ~2002 | | Square permutation: 2341 |
Renée Camus (website)
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Trip to Skye | | Renée Camus 2023 | | Duple Minor |
Gary Coull
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| We've Nae Electric | | Gary Coull 2004 | | R5×32 5C permutation: 24153 |
Brooke Friendly/Chris Sackett (website)
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| All Who Wander | | Brooke Friendly/Chris Sackett 2010 | | Circle as many as will |
| Home Again | | Brooke Friendly/Chris Sackett 2005 | | Duple Minor |
Roberta Gotfried
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Diamonds are Forever | | Roberta Gotfried 2016 | | 4 Couple Longways permutation: 2413 |
Judi Hallenbeck
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Marion's Medley | | Judi Hallenbeck 2009 | | Triple Minor |
Alec Hay
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Australian Ladies - Hay | | Alec Hay 1966 | | 4 Couple Longways permutation: 2341 |
| The Dean Bridge of Edinburgh | | Alec Hay 1967 | | Triple Minor |
| Hay's Australian Ladies | | Alec Hay 1966 | | 4 Couple Longways permutation: 2341 |
Derek Haynes
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Gaelforce Wind | | Derek Haynes 1996 | | Triple Minor |
Laura Husman
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Reel Parenting | | Laura Husman 2015 | | Triple Minor |
Cara King
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Whirlpool | | Cara King 2024 | | 5 Couple Circle |
Nathaniel Kynaston
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Well Done Jack | | Nathaniel Kynaston 1718 Andrew Shaw 2002 Playford Assembly | Bare Necessities | Duple Minor |
Murrough Landon
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The House Keys of Lisbon | | Murrough Landon 2020 | | 3 Couple Circle permutation: 312 |
Aliénor Latour
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Les Remparts de Séville | | Aliénor Latour 2014 | | Triple Minor |
| Rendez-vous à Vichy | | Aliénor Latour 2016 | | Triple Minor |
Milton Levy
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Gang the Same Gate | | Milton Levy 1990 | | Triple Minor |
Karen and Scott MacCrone
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Canadian Landscape | | Karen and Scott MacCrone 2017 | | 3 Couple Longways permutation: 231 |
Robert McOwen
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Burns Night | | Robert McOwen 1998 | | Duple Minor |
Denise Peet
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Fisherman's Dancing Daughters | | Denise Peet 2025 | | Triple Minor |
Joseph Pimentel (website)
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| From Wandsworth | | Joseph Pimentel 2018 | Goldcrest | Duple Minor |
| Venables | | Joseph Pimentel 2018 | Goldcrest | Duple Minor |
Robb Quint
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| El Camino Real | | Robb Quint ~2016 | | 3 Couple Longways permutation: 231 |
| The Royal Road | | Robb Quint ~2016 | | 3 Couple Longways permutation: 231 |
Anna Rain
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Archer | | Anna Rain 2015 | Odd Sundays Garage Band | Duple Minor |
| Pluck Me a Fig | | Anna Rain 2011 | | Duple Minor |
Kenneth J Reid
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Library of Birmingham | | Kenneth J Reid 2015 | | 4 Couple Longways permutation: 3142 |
Chris Ronald
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Slytherin House | | Chris Ronald 2016 | | Triple Minor |
Chris Sackett/Brooke Friendly (website)
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Birthday at Pinewoods | | Chris Sackett/Brooke Friendly 2008 | | Duple Minor |
| The Longest Night | | Chris Sackett/Brooke Friendly 2014 | | Duple Minor |
| Pilot Rock | | Chris Sackett/Brooke Friendly 2017 | | Duple Minor |
| Sea Shadows | | Chris Sackett/Brooke Friendly 2013 | | 3 Couple Longways permutation: 231 |
Simon Scott
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Lady in Red | | Simon Scott 2004 | | 5 Couple Longways permutation: 24153 |
Jenna Simpson
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Revelations | | Jenna Simpson 2017 | | Duple Minor |
Pam Stephens
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Something in the Air | | Pam Stephens 2019 | | S8×32 2C/4C |
John Walton
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Itchy Feet | | John Walton 2014 | | Triple Minor |
George Williams
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Three Mixed | | George Williams 2025 | Colin Hume | Triple Minor |
| Triple Minor Mixer | | George Williams 2025 | Colin Hume | Triple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 46 | 46 | 5 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Set And Link
An online definition may be found here.
Bars: 4.
In a set and link, everyone takes hands on the side and sets to partner, the all drop hands. In a two couple set and link the people on the right end of their lines cast right to the other end of their line, while the people on the left end of the lines spin up or down through the center to the other end of the line.
In a three couple set and link life is more complicated, and the dancers switch orientations as well as positions. The person on the left end of the line still twirls through the center to the other end of her/his line and then faces up or down (back the way they came from). The people in the middle cast right and chase a quarter round the set, ending at top or bottom, on the center line, facing in to the set. The people on the right end of the line also cast right, and move to the other end of their sideline.
A 3 couple set and link is often done twice (to get everyone back in the normal orientation, albeit diametrically opposite where they started.
A four couple set and link is like the 2 couple in that it retains the same orientation. Here the people at the ends of the sidelines cast or twirl one place, while the people in the middle positions cast or twirl two places (so ends become new middles, and middles become new ends).
History
According to the SCDDB John Drewry claims that "set and link" was invented by Alec Hay.
Note. 1 These dances were devised between Spring 1991 and June 1992 i.e. they come after the printing of the Donside Book. Many of them were for use during a visit to New Zealand and California in October-November 1991. The New Zealand connection is emphasised by the inclusion of "set and link" which was devised by Alec Hay of Auckland. Alec said, when I met him, that he prefers dancers NOT TO HOLD HANDS when linking.— The Bankhead Book Part 2, John Drewry, 1991-1992
Looking at Alan Hay's dances, the first use I have found is Australian Ladies, 1966. The first example I have found in an RSCDS Book is in Book 23, 1967, again by Alec Hay, The Dean Bridge of Edinburgh. In both of these the two couple form is used.
The earliest 3 couple Set and Link I've found is in Gang the Same Gate, in RSCDS Book 36 (1990).
The only 4 couple set and link I know of is in The Library of Birmingham, devised 2015.
This figure makes an occasional appearance in English Country Dance, Andrew Shaw's interpretation of Kynaston's Well Done Jack (2002) is the first use I know of it, followed by Brooke Friendly & Chris Sackett's Home Again in 2005.
In his dance Fine Companion Waltz (2008) Gary Roodman describes the figure without naming it. When I asked him if he were using the Scottish figure, he said he hadn't heard of it when he wrote the dance. So I guess he developed it independently.
This website is copyright © 2021-2026 by George W. Williams V
My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.