1910s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Devil's Dream - Burchenal |  | Elias Howe 1858 Elizabeth Burchenal 1918 |  | Duple Minor |
1920s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Delvine Side |  | William Campbell ~1800 RSCDS 1925 | | Triple Minor |
| Dumbarton Drums ~ RSCDS | | Thomas Wilson 1816 RSCDS 1929 | | Triple Minor |
1930s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Pleasures of the Town ~ Apted |  | Thompson 1777 W. S. Porter, M. Heffer, A. Heffer 1931 | Colin Hume | 3 Couple Longways permutation: 231 |
| A School for Scandal ~ Apted | | Thompson 1778 W. S. Porter, M. Heffer, A. Heffer 1931 | Colin Hume | Triple Minor |
1950s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Birks of Endermay | | Thomas Skillern 1776 RSCDS 1951 | | Triple Minor |
| The Birks of Invermay | | Thomas Skillern 1776 RSCDS 1951 | | Triple Minor |
| Lord Hume's Reel ~ RSCDS | | Thomas Wilson 1816 RSCDS 1951 | | Triple Minor |
| Woo'd and Married and A' | | Thomas Wilson 1816 RSCDS 1951 | | Triple Minor |
| Lady Baird's Reel | | Thomas Wilson 1816 RSCDS 1955 | | Triple Minor |
| Leith Country Dance | | Anonymous (date unknown) RSCDS 1955 | | Duple Minor |
| Rakish Highlandman ~ RSCDS | | Thomas Wilson 1816 RSCDS 1957 | | Triple Minor |
| The College Hornpipe - RSCDS | | William Boag 1797 RSCDS 1959 | | Triple Minor |
1960s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Stowe Hall | | Preston 1791 Pat Woods ~1960 | | 3 Couple Longways permutation: 231 |
| Dartford Camp #1 ~ 3 Couple | | Thomas Skillern 1781 A. Simons 1961 | | 3 Couple Longways permutation: 231 |
| Dartford Camp #1 ~ Triple | | Thomas Skillern 1781 A. Simons 1961 | | Triple Minor |
| My Only Jo and Dearie, O ~ RSCDS | | Thomas Wilson 1816 RSCDS 1961 | | Triple Minor |
| Morpeth Rant | | Thomas Wilson 1816 Pat Shaw ~1965 | Colin Hume | Triple Minor |
| Morpeth Rant ~ 3 Couple | | Thomas Wilson 1816 Pat Shaw ~1965 | Colin Hume | 3 Couple Longways permutation: 231 |
1970s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Carl cam' ower the Croft ~ RSCDS | | Thomas Wilson 1816 RSCDS ~1977 | | Triple Minor |
| Lady Glasgow | | Anonymous (date unknown) RSCDS ~1977 | | Triple Minor |
1980s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Hame Came Our Gude Man ~ RSCDS | | Thomas Wilson 1816 RSCDS 1981 | | Triple Minor |
| Clutha ~ RSCDS | | Kate Hughes ~1867 RSCDS 1983 | | Square |
1990s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Tunbridge Castle | | Thompson 1786 A. Simons ~1990 | | 3 Couple Longways permutation: 231 |
| Fête Champêtre | | Thompson 1776 Philippe Callens 1999 | | 3 Couple Longways permutation: 231 |
2010s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| First of September | | Thomas Kilvington ~1785 Green Ginger 2019 | | Triple Minor |
2020s
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Sicilian | | G.M.S. Chivers 1821 George Williams 2021 | | Triple Minor |
| The Ayr Promenade ~ Gilbert | | Roy Goldring ~1990 Ilse Gilbert 2022 | | 3 Couple Longways permutation: 231 |
| Queen of Hearts - Cahusac/3 Couple | | William Cahusac 1785 Roland Suhr ~2022 | | 3 Couple Longways permutation: 231 |
| Queen of Hearts - Cahusac/Triple | | William Cahusac 1785 Roland Suhr ~2022 | | Triple Minor |
| The Doubtful Shepherd ~ Williams | | Thompson 1780 George Williams 2023 | | Triple Minor |
| The Carle came o're the Craft ~ Williams | | Thomas Wilson 1816 George Williams 2024 | | Triple Minor |
| Hame Came Our Gude Man ~ Williams | | Thomas Wilson 1816 George Williams 2024 | | Triple Minor |
| Lady Baird's Reel ~ Williams | | Thomas Wilson 1816 George Williams 2024 | | Triple Minor |
| Let Glasgow Flourish ~ Williams |  | J. F. Wallace 1872 George Williams 2024 | | Triple Minor |
| My Only Joe & Deary O ~ Williams | | Thomas Wilson 1816 George Williams 2024 | | Triple Minor |
| The Graces | | Thompson 1778 Colin Hume ~2025 | Colin Hume | Triple Minor |
| The Pleasures of the Town ~ Hume | | Thompson 1777 Colin Hume 2025 | Colin Hume | 3 Couple Longways permutation: 231 |
| A School for Scandal ~ Hume | | Thompson 1778 Colin Hume ~2025 | Colin Hume | Triple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 38 | 38 | 7 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Three Couple Promenade Round
Bars: 8.
In Scottish Country dance the dancers start the figure in the center of the set, in promenade hold with partner, facing up. While in English dance you tend to start from the sidelines and quickly move into that position. Dancers move up, pivot round to face the men's line, move across, pivot to face down, move down to the bottom, pivot to face the women's line, move into the center, pivot to face up, and dance up to original places, and retire to the sidelines.
Variants
The (R)SCDS introduced both two and four couple longways promenades in Book 18. Leith Country Dance, and Longwise Eightsome Reel.
History
Sharp uses a three couple promenade in his interpretation of Adson's Saraband, Playford, 1651. But I'm not sure he is right to do so. Playford says:
First cu. lead down between the rest, come with a compass to your places, the rest following
Which sounds rather different to me.
The concept of "promenading" came over from France with Cotillions.
Thomas Hurst, in his The Cotillons Made PLAIN and EASY, 1769, (page 9), defines promenading:
TWELFTH CHANGE, The Promenade, or Walk.Every Gentleman takes his Partner by the Left-Hand; and putting his Right-Hand round her Waist; in this Manner they follow each other all round in a great Ring, and finish in their proper Places.
Note, this is not the modern skaters' hold promenade
I think Wilson may be the first to suggest joining hands in front, in his The Quadrille and Cotillion Panorama:
6.—PROMENADE, THE GREATAll the four couples cross hands with their partners, and move round in a circle to places.
But these are all in a square set. The first examples (that I can find) in a longways set occurred in 1776, and both Thompson and Skillern published dances which used this figure.
In the US, Saltator, 1802, specifies a three couple promenade in his dance College Hornpipe: each promenade their own partners round. While Howe, 1862, uses a 2 couple promenade in Whipple's Hornpipe.
In (R)SCDS Book 11, both the source descriptions of Glasgow Flourish (one by Anderson, and one by Wallace) contain three couple promenades, but the (R)SCDS replaced it with a lead down and up. However the next time the figure occurred (in Fidget, Book 16) it is translated unchanged.
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My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.