

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Rover's Rant | ![]() | Roy Goldring 1994 | ![]() | Triple Minor |
| Ysobel | ![]() | John Drewry 1973 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Under the Influence | ![]() | Jenna Simpson 2013 | ![]() | 4 Couple Longways permutation: 3142 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Folderol | ![]() | Jenna Simpson 2021 | ![]() | Duple Minor |
| Heartfelt | ![]() | Jenna Simpson 2020 | ![]() | Duple Minor |
| Edina's Pride | ![]() | Alex Gray 1984 | ![]() | Triple Minor |
| Schiehallion | ![]() | Hugh A Thurston 1971 | ![]() | Square |
| Money Musk ~ Contra 24 Improper | ![]() | Werner/Preston 1785 Traditional | ![]() | Triple Minor |
| Adieu Mon Ami | ![]() | Thomas Wilson 1814 RSCDS 1968 | ![]() | Triple Minor |
| Dumbarton Drums ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1929 | ![]() | Triple Minor |
| None So Pretty - Wilson ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1957 | ![]() | Triple Minor |
| The Spark o' Water | ![]() | Maggie & Duncan Keppie ~2007 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| A Smile Says It All | ![]() | Rebecca Fant 2025 | ![]() | Triple Minor |
| Sylvia, Priestess of Atlanta | ![]() | Susan Tumlin 2024 | ![]() | Triple Minor |
| Stone Mountain Strathspey | ![]() | Susan Tumlin ~2026 | ![]() | Triple Minor |
| Dandelion in the Green | ![]() | Jenna Simpson 2024 | ![]() | Duple Minor |
| Grand Petronelle ~ Quadrille | ![]() | J. P. Boulogne 1827 George Williams 2026 | Colin Hume | Square |
| Petronella | ![]() | J. P. Boulogne 1827 RSCDS 1924 | Colin Hume | Duple Minor |
| Petronella ~ Contra | ![]() | Nathaniel Gow 1820 David Smukler 2005 Cracking Chestnuts | Colin Hume | Duple Minor |
| Petronella ~ Contra Variants | ![]() | Nathaniel Gow 1820 David Smukler 2005 Cracking Chestnuts | Colin Hume | Duple Minor |
| Petronella ~ variants | ![]() | Nathaniel Gow 1820 | Colin Hume | Duple Minor |
| ATL 50 | ![]() | Lisa Guest ~2026 | ![]() | Triple Minor |
| Stone Mountain Schottische | ![]() | Mary Ross ~2026 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Anna Holden's Strathspey | ![]() | John Drewry 1991 | ![]() | Duple Minor |
| Anna Holden's Waltz | ![]() | John Drewry 1991 Jenny Beer 2017 | ![]() | Duple Minor |
| Atossa's Gift | ![]() | Scott Higgs 2017 | ![]() | Duple Minor |
| Major Ian Stewart | ![]() | John Drewry 1986 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Money Musk ~ RSCDS | ![]() | Preston 1786 RSCDS 1936 | ![]() | Triple Minor |
| Monymusk | ![]() | Preston 1786 RSCDS 1936 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| J. B. Milne | ![]() | Hugh Foss 1954 | ![]() | Triple Minor |
| Longborough Lanterns | ![]() | Melissa Shaner 2009 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Sailor Hector | ![]() | Stella Fogg & Moira Turner 2006 | ![]() | 4 Couple Longways permutation: 3142 |
| Dancing in Perthshire | ![]() | Janet Macdonald ~2020 | ![]() | Square |
| A Hundred Years Since | ![]() | Peter Knapman 2023 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| A Driving Reel | ![]() | Lizzie Wratten ~2025 | ![]() | 3 Couple Circle permutation: 231 |
| Miss Lucy Clark | ![]() | Valerie Farr ~2025 | ![]() | Triple Minor |
| Thank You Patricia | ![]() | Deb Lees ~2025 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Boo | ![]() | Sue McKinnell 2025 | ![]() | Triple Minor |
| Boo ~ Dove | ![]() | Sue McKinnell 2025 Jessie Dove 2025 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| A Summer Meeting | ![]() | Irene Townshend 2014 | ![]() | 3 Couple Longways permutation: 231 |
| The Coronation Day ~ P. Shaw | ![]() | Henry Playford 1698 Pat Shaw ~1970 | ![]() | Duple Minor |
| The Coronation Day ~ Sharp | ![]() | Henry Playford 1698 Cecil Sharp 1916 | ![]() | Duple Minor |
| Among the Cheviot Hills | ![]() | John Cahill 2016 | ![]() | 3 Couple Longways permutation: 231 |
| The Anniversary - Thompson | ![]() | Ella Thompson 2016 | ![]() | 4 Couple Longways permutation: 2413 |
| Autumn in Appin | ![]() | John Drewry 1982 | ![]() | 4 Couple Longways permutation: 2413 |
| Banjo in a Bear Suit | ![]() | Brooke Friendly/Chris Sackett 2010 | ![]() | Square |
| Mistress Mary | ![]() | Anthea Macdonald 2015 | ![]() | 3 Couple Longways permutation: 312 |
| The Orchards of County Armagh | ![]() | Jinty Anderson 2016 | ![]() | 3 Couple Longways permutation: 312 |
| Peggy and Arnold's Strathspey | ![]() | Andrew Gillies ~2000 | ![]() | S3×32 3C permutation: 231 |
| Piper Frap | ![]() | Mary Shoolbraid Brandon 1975 | ![]() | 4 Couple Longways permutation: 2143 |
| Piper Frap ~ 3 Couple | ![]() | Mary Shoolbraid Brandon 1975 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| 1314 | ![]() | John Drewry 1967 | ![]() | Square |
| A Balanced Tern | ![]() | Joseph Pimentel 1999 | ![]() | Duple Minor |
| Donald Bane ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1953 | ![]() | Triple Minor |
| Donaldbane ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1953 | ![]() | Triple Minor |
| Down Under, Hands Up! | ![]() | Jon Reeves 2015 | ![]() | Triple Minor |
| Elspeth Gray's Reel | ![]() | Tom Toriyama 2019 | ![]() | Triple Minor |
| Gang the Same Gate | ![]() | Milton Levy 1990 | ![]() | Triple Minor |
| The Genteel Weasel | ![]() | Gaye Collin 2021 | ![]() | Triple Minor |
| Inverneill House | ![]() | John Drewry 1986 | ![]() | Triple Minor |
| Jubilee Quadrille | ![]() | Alan Macpherson 2001 | ![]() | R88 Square |
| Laggan Bay | ![]() | Bill Forbes 1988 | ![]() | Triple Minor |
| The Lea Rig | ![]() | Anonymous (date unknown) RSCDS 1961 | ![]() | Duple Minor |
| The Micmac Rotary | ![]() | John Drewry 1983 | ![]() | R96 Square |
| Mistress Mary ~ 3 in 4 | ![]() | Anthea Macdonald 2015 | ![]() | Triple Minor |
| Not I | ![]() | Johnson ~1754 RSCDS 1977 | ![]() | Triple Minor |
| Pinewoods Reel | ![]() | John Bowie Dickson 1970 | ![]() | Triple Minor |
| Reciprocity | ![]() | Jenna Simpson 2014 | ![]() | Duple Minor |
| Reel Parenting | ![]() | Laura Husman 2015 | ![]() | Triple Minor |
| Rob Roy MacGregor ~ RSCDS | ![]() | G.M.S. Chivers 1821 RSCDS 1972 | ![]() | Triple Minor |
| Streamside Waltz | ![]() | Gary Roodman 2023 | ![]() | Duple Minor |
| Symonds Yat | ![]() | Colin Hume 2006 | Dampier's Round | Circle as many as will |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Lady in Red | ![]() | Simon Scott 2004 | ![]() | 5 Couple Longways permutation: 24153 |
| Bonny Breast Knot | ![]() | English Traditional (date unknown) Maud Karpeles & Cecil Sharp ~1930 | ![]() | 3 Couple Longways permutation: 231 |
| The Dunsmuir Strathspey ~ Hamilton | ![]() | John Drewry 1992 | Bare Necessities | 3 Couple Longways permutation: 231 |
| The Dunsmuir Waltz | ![]() | John Drewry 1992 | Bare Necessities | 3 Couple Longways permutation: 231 |
| Ruins of Athens | ![]() | Victor Skowronski 2013 | ![]() | Duple Minor |
| Rowena's Waltz | ![]() | Gary Roodman 2000 | ![]() | Duple Minor |
| In Mr. McGregor's Garden | ![]() | Audrey Ramsay Prest 2016 | ![]() | Triple Minor |
| Mrs. Stewart of Fasnacloich | ![]() | RSCDS 1973 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The College Hornpipe - RSCDS | ![]() | William Boag 1797 RSCDS 1959 | ![]() | Triple Minor |
| The Dancing Bees | ![]() | Roy Goldring ~1990 | ![]() | Triple Minor |
| Glasgow Lasses - RSCDS | ![]() | Walsh 1748 RSCDS 1986 | ![]() | Duple Minor |
| Orwell Lodge Strathspey | ![]() | Ian Brookbank 2012 | ![]() | 3 Couple Longways permutation: 231 |
| Trip to Timber Ridge | ![]() | Linda Henderson 2012 | ![]() | Triple Minor |
| Another Cure For The Claps | ![]() | Bob Isaacs (date unknown) Rich Goss | ![]() | Duple Minor |
| Lunar Eclipse | ![]() | Elizabeth A. Snowdon ~1989 | ![]() | Duple Minor |
| Will Ye No Come Back? | ![]() | Mike Richardson ~1992 | ![]() | Becket |
| At Nancy's House | ![]() | Brooke Friendly/Chris Sackett 2002 | ![]() | 3 Couple Longways permutation: 231 |
| Barbarella | ![]() | Tom Thoreau ~2008 | ![]() | Becket |
| Cranberry Tart | ![]() | Terry Glasspool 1999 | ![]() | Triple Minor |
| Cure For The Claps | ![]() | Bob Isaacs (date unknown) | ![]() | Duple Minor |
| The Dunsmuir Strathspey | ![]() | John Drewry 1992 | ![]() | 3 Couple Longways permutation: 231 |
| Eileen Watt's Reel | ![]() | John Wilkinson 2005 | ![]() | 3 Couple Longways permutation: 312 |
| Eileen Watt's Strathspey | ![]() | Lewis N. Derrick 2005 | ![]() | 3 Couple Longways permutation: 312 |
| Heartbeat Contra | ![]() | Don Flaherty (date unknown) | ![]() | Duple Minor |
| Kindred Spirits | ![]() | Chris Page (date unknown) | ![]() | Becket |
| Many Happy Returns ~ Briscoe | ![]() | Melbourne Briscoe 1995 | ![]() | Triple Minor |
| A Mooed Point | ![]() | Erik Hoffman (date unknown) | ![]() | Duple Minor |
| Old Time Elixer #2 | ![]() | Linda Leslie (date unknown) | ![]() | Becket |
| Poussettronella | ![]() | Charlie Abell 2019 | ![]() | Becket |
| Susan Mann's Jig | ![]() | Chris Sackett/Brooke Friendly 2006 | ![]() | Triple Minor |
| Tica Tica Timing | ![]() | Dean Snipes (date unknown) | ![]() | Becket |
| Unstoppable Kate | ![]() | Brooke Friendly/Chris Sackett 2005 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Crazy Nella | ![]() | Vic Ceder 2019 | ![]() | Duple Minor |
| Take the Lady | ![]() | Vic Ceder 2019 | ![]() | Becket |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Spinner's Delight | ![]() | Vic Ceder 2019 | ![]() | Becket |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 104 | 104 | 7 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Bars: 2.
A Petronella Turn has come to mean two different things, depending on which tradition of dancing you follow. Both come from the same source but evolved differently over time.
In US Contra Dance, a petronella turn means moving one place to the right around the minor set, while spinning over your right shoulder. Usually this takes 1 bar, so the next bar is used up by clapping.
In Scottish Country Dance, the petronella turn is done in pas-de-basque setting. The first step is out to the right and inward, and finishes with the active dancers facing out of the set, on the next bar they pas-de-basque over their right shoulders until they face in.
There is also a petronella figure, which involves 4 petronella turns and setting with the actives returning to places after 16 bars.
In Scottish Country Dance dancers, petronella turn, and set; petronella turn, and set; petronella turn, and set; petronella turn, and set.
But in Contra dance the set comes before the petronella turn, and then became a "balance the ring".
In the US, English Country Dances occasionally borrow the Contra dance version of a petronella turn.
The first source for the petronella turn comes from The Ball-Room, or the Juvenile Pupil's Assistant; Containing the Most Fashionable Quadrilles, with Les Lanciers of Sixteen, As Danced in the Public & Private Assemblies in Paris by J. P. Boulogne, published 1827, and he says:
1. The first couple perform the figure of a diamond to their right, setting at the four corners 16
But since he neglects to say exactly how you move to make this diamond figure, the instructions aren't very helpful.
Looking elsewhere, the next earliest description of the figure I have found was published by the Lowes in Lowes' Ball-Conductor and Assembly Guide. of ~1831. The Lowes published in Edinburgh. They describe it thusly:
First couple chassé round to the right, and set in the middle; round to the right again, and set on the sides; to the right again, and set in places
Here the eponymous "Petronella Turn" is spelled out clearly as a chassé, I don't think you can turn while doing a chassé, so this was a much simpler move than it is now.
Also after doing a chassé, the pas-de-Basque setting of the (R)SCDS seems unlikely, the most natural setting would be the step-close-step-close style that English Dancing uses.
By 1853, the Lowes had become just Joseph Lowe, and he published a somewhat different version in his Lowe's Selection of Popular Country Dances:
First couple turn round to the right, and set opposite to each other in the middle of the Dance (4 Bars). Again round to the right, and set on the sides of the Dance, (4 Bars) Again round to the right, and set in the middle, (4 Bars) Again to the right and set in places. (4 Bars) (8 Bars)Courtesy of National Library of Scotland, licensed under:
Here the Petronella turn is no longer a chassé, but has become turn round to the right. I suspect this means just pulling back your right shoulder and turning 270 degrees as you move, since this is way the move is done in the US, and it crossed the Atlantic at about this time.
The first version I've found in the US appears in an anonymous work from New Hampshire in 1858 (where the dance is called Patenella): The Ball Room Guide, A Description of the Most Popular Contra Dances of the Day,:
First couple balance, swing, balance, swing, and so continue four times
This is no help whatsoever on the way the turn was done, but it does show that the set moved before the petronella turn as soon as it crossed the Atlantic.
Then from Boston in Elias Howe's 1868: The Pianist's Matinee: A Collection of Music for the Piano-Forte, writes:
First couple turn round to the right, and balance opposite to each other in the middle of the dance. (4 bars) Again round to the right, and balance on the sides of the dance. (4 bars) Again to the right, and balance in the middle. (4 bars) Again to the right, and balance in places. (4 bars)
This is almost word for word what Joseph Lowe said, except that Howe replaces "set" with "balance".
There are a number of other sources of the dance from Scotland in the latter part of the 19th century, but all the ones I've found read very much like Joseph Lowe's version. Perhaps the way each figure was danced changed in this period, but the words describing them did not.
In 1897 in D. Anderson's Ball-Room and Solo Dance Guide, (Dundee)
Time 2-4Turn to right in centre with two steps facing each other, then set to each other with two steps.Turn into each other's places with next two steps then set with other two steps.Turn to right in centre facing each other with two steps then set to each other with two steps.Turn into places next two steps then set with other two steps (the four quarter turns describe the figure of a diamond).First gent then leads his partner down the centre and back to places, the first and second couples pousette.Repeat from the beginning other three timesCourtesy of National Library of Scotland, licensed under:
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.