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Up a double, Siding, Arming
Country Dances, Ancient and Modern

Table of Contents

Duple Minor

Duple Minor proper

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Alamand Swiss ~ DupleNancy Shepley ~1795
Kate van Winkle Keller & Ralph Sweet 1976
no musicDuple Minor
Captain Cook's Country DanceCorri, Dussek, & Co. 1797no musicDuple Minor
Ding Dong BellThompson 1791
George Williams 2022
no musicDuple Minor
The Duchess's Slipper ~ WilliamsLongman & Broderip 1790
George Williams 2024
no musicDuple Minor
The FestivalLongman & Broderip 1790
George Williams 2022
no musicDuple Minor
The Haughs of Cromdale ~ WilsonThomas Wilson 1816
George Williams 2024
no musicDuple Minor
Irish Wash Woman ~ DupleAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
Colin HumeDuple Minor
Jackey Tarr ~ DupleThomas Wilson 1816
George Williams 2021
Colin HumeDuple Minor
Lord Nelson's WaltzWilliam Campbell ~1799
Regency Dances
no musicDuple Minor
Miss Devon's ReelD. Mackenzie 1795
George Williams 2024
no musicDuple Minor
The Prince's FavouriteDale ~1800
Colin Hume 2020
Colin HumeDuple Minor
Savage DanceDale ~1800
Colin Hume 2020
Colin HumeDuple Minor
Soldier's Joy ~ DupleAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
no musicDuple Minor
Trip to DunkirkCahusac 1794
Thomas Knuth 2023
no musicDuple Minor
The WaltonHezekiah Cantelo 1785
George Williams 2022
no musicDuple Minor

Triple Minor

Triple Minor proper

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Alamand SwissNancy Shepley ~1795
Kate van Winkle Keller & Ralph Sweet 1976
no musicTriple Minor
The Barley Mow ~ HumeThompson 1779
Colin Hume 2025
Colin HumeTriple Minor permutation: 231
Black Dance ~ Straight and SkillernStraight and Skillern 1775
George Williams 2023
no musicTriple Minor
La Buona FiguiliolaHezekiah Cantelo 1785
George Williams 2022
no musicTriple Minor
The Christmas Tale ~ HumeThompson 1778Colin HumeTriple Minor
The Christmas Tale ~ Hume/Old StyleThompson 1778Colin HumeTriple Minor
The Christmas Tale ~ WilliamsThompson 1778
George Williams 2023
Colin HumeTriple Minor
The Disbanded OfficerThompshon 1787
George Williams 2023
no musicTriple Minor
The Disbanded OfficerThompshon 1787
George Williams 2023
no musicTriple Minor
The Duke of Kent's Waltz ~ HumeW.M. Cahusac 1801
Colin Hume 2017
Colin HumeTriple Minor
Le Fete da VillageThompson 1778
Colin Hume ~2025
Colin HumeTriple Minor
Le Fete du VillageThompson 1778
Colin Hume ~2025
Colin HumeTriple Minor
The Free Mason ~ HumeThompson 1778
Colin Hume ~2025
Colin HumeTriple Minor
The HamiltonianHezekiah Cantelo 1785
George Williams 2022
no musicTriple Minor
The Hamiltonian ~ DupleHezekiah Cantelo 1785
George Williams 2022
no musicTriple Minor
He's aye a Kissing MeThompson 1778
Colin Hume ~2025
Colin HumeTriple Minor
The Herefordshire LassesLongman, Lukey & Co. 1772
Pat Shaw ~1965
no musicTriple Minor
Irish Wash WomanAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
Colin HumeTriple Minor
Jackey TarrThomas Wilson 1816Colin HumeTriple Minor permutation: 231
Jockey to the Fair ~ BoltonAnonymous, (New Hampshire) ~1790
Charles Bolton 1997
no musicTriple Minor permutation: 231
L'AllegranteDale ~1800
Colin Hume 2019
Colin HumeTriple Minor
Lady Amelia Murray's ChoiceHezekiah Cantelo 1785
George Williams 2022
no musicTriple Minor
Lady Amelia Murray's Choice ~ DupleHezekiah Cantelo 1785
George Williams 2022
no musicTriple Minor
Lady Jean Murray's DanceHezekiah Cantelo 1785
George Williams 2022
no musicTriple Minor
Marchioness of Blandford's Reel ~ WilliamsWilliam Campbell ~1795
George Williams 2023
no musicTriple Minor
Marli Water WorksMatthew Welch 1767
Pat Shaw 1963
Colin HumeTriple Minor permutation: 231
Morpeth RantThomas Wilson 1816
Pat Shaw ~1965
Colin HumeTriple Minor
Morpeth Rant ~ 3 CoupleThomas Wilson 1816
Pat Shaw ~1965
Colin HumeTriple Minor permutation: 231
Push about the Jorum ~ BrideBride 1775
George Williams 2023
no musicTriple Minor
The RosettaThompson 1778
George Williams 2025
Colin HumeTriple Minor
Soldier's Joy ~ WillcoxAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
no musicTriple Minor
Trip to Castle Howard ~ HumeThompson 1775
Colin Hume 2025
no musicTriple Minor

Longways

2 Couple Longways proper

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Newport AssemblyThompson 1778
George Williams 2025
Colin Hume2 Couple Longways

Longways as many as will proper

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Sir Roger de Coverley ~ WilsonThompson ~1770
Thomas Wilson 1808
no musicLongways as many as will permutation: 23451

Circle

Square / 4 Couple Circle

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Cotillion ChangesThomas Hurst 1769
George Williams 2024
no musicSquare multi part
La Sophied'Aubat de St. Flour ~1757no musicSquare multi part
Number
of dances
Number
of versions
Number
with music
464619

Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.


Linked-Arm Allemande

Also known as: Turn in Tullock Hold, Turn in Hullachan Hold.

Bars: 4.

In this style of Allemande, partners stand right shoulder to right, facing in opposite directions, they interlace their right arms, and put their left hands behind their backs, taking their partner's right hand in their left, and so linked turn around in a small circle.

History

The Regency Dance Site has a nice paper giving the history of the allemande in English dancing.

Nicholas Dukes does not define allemande in his book of Country Dance figures, published 1752.

The earliest use of "Allemande" (in English) which I have found is in Marli Water Works by Matthew Welch in perhaps ~1767 (though this date is debatable), and Pat Shaw interpreted it as a linked arm allemande.


In the US, Saltator, 1802 gives a clear description:

ALLEMANDE, is to put one hand behind and reach the other out side-ways, turning both plams backwars matching another person's presented in like manor, and the arms interweaving with them.

(And he goes on to use it in the dance Constancy).

According to the Fletts' Traditional Dancing in Scotland (page 148) The Reel of Tulloch (and hence Tullock Hold) was current subsequent to about 1880. Given the lack of an Allemande tradition in Scotland, it seems more likely that this way of turning evolved independantly rather than being a copy of the linked arm allemande from a hundred years before.

See Also

This website is copyright © 2021-2026 by George W. Williams V
Creative Commons License My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.