

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Ambassador's Reel | ![]() | Susi Mayr 2009 | ![]() | Triple Minor |
| Auld Lang Syne ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1975 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Bath Waltz | ![]() | Thomas Wilson 1816 Colin Hume 2023 | Colin Hume | 3 Couple Longways permutation: 312 |
| Bridge of Nairn | ![]() | Robert Bremner ~1765 RSCDS 1945 | ![]() | Triple Minor |
| Broun's Reel | ![]() | William Boag ~1797 RSCDS 1924 | ![]() | Triple Minor |
| Brown's Reel | ![]() | William Boag ~1797 RSCDS 1924 | ![]() | Triple Minor |
| Bulock's Hornpipe | ![]() | John Young 1726 Colin Hume 2009 | Colin Hume | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Clutha ~ RSCDS | ![]() | Kate Hughes ~1867 RSCDS 1983 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Duke of Perth
| ||||||||||||||
| The Duran Ranger | ![]() | Anonymous (date unknown) RSCDS 1945 | ![]() | Triple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The ESC Reel | ![]() | Jenna Simpson 2020 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Fiddle Faddle ~ RSCDS | ![]() | Walsh 1735 RSCDS 1938 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||
|---|---|---|---|---|---|---|---|---|---|
| Keep the Country, Bonny Lassie - Boag | ![]() | William Boag ~1797 RSCDS 1924 | ![]() | Triple Minor | |||||
Keep the Country, Bonny Lassie - Boag
| |||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Miss Mary Douglas
| |||||||||||||||||||
| Light and Airy | ![]() | William Campbell ~1804 RSCDS 1927 | ![]() | Triple Minor | |||||||||||||||
Love's Triumph
| |||||||||||||||||||
The Lover's Luck
| |||||||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A Man's a Man for a' That ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1981 | ![]() | Triple Minor | ||||||||||
Miss Mary Douglas
| ||||||||||||||
Mr. Wilson's Hornpipe
| ||||||||||||||
Mungo's Delight
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Not I | ![]() | Johnson ~1754 RSCDS 1977 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Off She Goes ~ Williams | ![]() | Thomas Wilson 1816 George Williams 2022 | Colin Hume | Triple Minor |
| On the Oregon Trail | ![]() | Deanna St. Amand 1995 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Pease Strae | ![]() | William Boag ~1797 RSCDS 1924 | ![]() | Triple Minor |
| Pease Straw | ![]() | William Boag ~1797 RSCDS 1924 | ![]() | Triple Minor |
| Prince Frederick's Hornpipe | ![]() | Johnson 1736 Bernard Bentley 1980 | ![]() | 3 Couple Longways permutation: 231 |
| The Prussian Waltz | ![]() | Thomas Wilson 1816 Colin Hume 2023 | Colin Hume | 3 Couple Longways permutation: 312 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Rakish Highlandman ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1957 | ![]() | Triple Minor |
| Ravenscroft's Hornpipe | ![]() | John Young 1726 Bernard Bentley 1980 | ![]() | 3 Couple Longways permutation: 231 |
| Redwood Arbor | ![]() | Bob McMurtry 2005 | ![]() | Triple Minor |
| Rob Roy MacGregor ~ Williams | ![]() | G.M.S. Chivers 1821 George Williams 2024 | ![]() | Triple Minor |
| The Russian Dance | ![]() | David Wall 1775 Pat Shaw 1959 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Starry Night | ![]() | Bob Harmon 2008 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Trip To Gretna Green | ![]() | Anonymous (date unknown) Betty Lee Barnes | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Vaughan's Ramble ~ Sheffield | ![]() | Nathaniel Kynaston 1711 Ken Sheffield 1995 | ![]() | 3 Couple Longways permutation: 312 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The White Heather Jig | ![]() | James B. Cosh 1964 | ![]() | 4 Couple Longways permutation: 2341 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Young Roger - Playford | ![]() | John Young 1710 George Williams 2023 | ![]() | Triple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 32 | 36 | 8 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Also known as: Swing Corners.
An online definition may be found here.
Bars: 8.
Turn 1st corner right, turn partner left (once and a half times in Scottish), turn 2nd corner right, cross with partner by left.
Early examples of this figure are not very explicit, and it is not always clear which hand you use to turn whom, thus in modern dancing styles we have two different versions of what is basically the same figure.
In US Contra Dancing you turn your partner right, your 1st corner left, your partner right again, and your second corner left. The first description I can find that explicitly says to do this is in Thomas Wilson's An Analysis of Country Dancing from 1808.
Most other styles have settled on: turn your first corner right, partner left, 2nd corner right, partner left.
In Iantha the Lovely, Walsh, 1718 said: the 1st Man turn the 3d Wo. and the 1s Wo. the 2d. Man, then he turns his own Partner; then 1st Man turn the 2d. Wo. and the 1st. Wo. the 3d Man, and turn his own Partner again. We know whom to turn, and the order, but not whether to use right or left (or both) hands.
In Bullock's Hornpipe, John Young, 1726, says: And then cross over quite round all the 4 corners. which is even less specific.
Walsh, in 1731 does a little better in the dance Prince William saying: The 1st Man turns the 3d Wo. with his Right Hand, his Partner does the same with the 2d Man at the same Time and then turn your Partners Do the same at the other Corner.
Nathanial Dukes, 1752, in his A Consise & Easy Method of Learning the Figuring Part of Country Dances also defines it as right hands to corner, left to partner, right to corner, and left to partner.
Usually 8 bars are allocated for this figure, but occasionally 16.
Porter, Heffer, & Heffer suggest using a two hand turn (instead of right or left) for a 16 bar version in Fandango when Thompson said: turn corners & turn your Part: the same at the other corners.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.