

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Abergenny ~ Kennedy | ![]() | John Playford 1657 Douglas & Helen Kennedy (mod) 1929 | Colin Hume | 4 Couple Longways |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Bishop ~ Apted | ![]() | Thompson 1778 W. S. Porter, M. Heffer, A. Heffer 1931 Playford Ball | Colin Hume | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Dublin Bay | ![]() | John Young 1710 Bernard Bentley 1962 Playford Ball | Bare Necessities | Duple Minor |
| Humours of the Age ~ Pat Shaw | ![]() | Nathaniel Kynaston 1710 Pat Shaw 1962 | Colin Hume | Triple Minor |
| Humours of the Age ~ Pat Shaw/3 Couple | ![]() | Nathaniel Kynaston 1710 Pat Shaw 1962 | Colin Hume | 3 Couple Longways permutation: 231 |
| We'll Wed and We'll Bed ~ Playford Ball | ![]() | John Young 1710 Bernard Bentley 1962 Playford Ball | Bare Necessities | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Barham Down ~ Cook | ![]() | Henry Playford 1701 Tom Cook 1975 Playford Assembly | Colin Hume | Duple Minor |
| Irish Lamentation ~ Cook | ![]() | Johnson ~1740 Tom Cook 1979 Playford Assembly | Colin Hume | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Sun Assembly | ![]() | Thompson ~1757 Ken Sheffield 1982 Playford Ball | Bare Necessities | Duple Minor |
| The Disbanded Officer ~ Sheffield | ![]() | Thompshon 1787 Ken Sheffield 1985 | ![]() | Duple Minor |
| Wakefield Hunt | ![]() | Thompson 1779 Tom Cook 1987 Playford Assembly | Colin Hume | Triple Minor |
| The Jovial Beggars - Playford | ![]() | Henry Playford 1701 Charles Bolton 1989 Playford Assembly | Bare Necessities | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Greenwich Park - Thompson | ![]() | Thompson 1779 A. Simons ~1990 | ![]() | 3 Couple Longways permutation: 231 |
| Richmond Ball | ![]() | John & William Neal 1726 Rich Jackson & George Fogg 1990 | ![]() | Duple Minor |
| Jacob Hall's Jig ~ Cook | ![]() | Henry Playford 1695 Tom Cook 1991 | Bare Necessities | Duple Minor |
| She Would If She Could | ![]() | John Young 1718 Charles Bolton 1991 | Colin Hume | 3 Couple Longways permutation: 231 |
| Mr. Isaac's Maggot ~ Playford Ball | ![]() | Henry Playford 1695 Henry Playford 1994 Playford Ball | Bare Necessities | Duple Minor |
| The Faithful Swain ~ Sheffield | ![]() | Nathaniel Kynaston 1710 Ken Sheffield 1995 | Colin Hume | Duple Minor |
| Smith's Boree | ![]() | John Young 1726 Ken Sheffield 1995 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Northern Nancy ~ Bolton | ![]() | John Playford 1670 Charles Bolton 2000 | ![]() | Duple Minor |
| The Queen's Birthday ~ Callens | ![]() | Henry Playford 1703 Philippe Callens 2002 | ![]() | Duple Minor |
| Blenheim Pound | ![]() | John Young 1710 Charles Bolton 2003 | ![]() | Duple Minor |
| Love in a Hop-Yard | ![]() | Nathaniel Kynaston 1717 Andrew Shaw 2006 | ![]() | 3 Couple Longways permutation: 312 |
| Mr. Lane's Maggot ~ Andrew Shaw | ![]() | Henry Playford 1695 Andrew Shaw 2009 | Bare Necessities | 3 Couple Longways permutation: 312 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Duchess of Grafton ~ A. Shaw | ![]() | John Young 1710 Andrew Shaw ~2012 | ![]() | 3 Couple Longways permutation: 231 |
| Anna Holden's Waltz | ![]() | John Drewry 1991 Jenny Beer 2017 | ![]() | Duple Minor |
| Aye Me ~ Callens | ![]() | John Playford 1651 Philippe Callens ~2018 Playford Ball | Colin Hume | 4 Couple Longways |
| Eggshell Whimsy | ![]() | Walsh 1731 Scott Higgs 2018 | ![]() | 3 Couple Longways permutation: 231 |
| The Symphony | ![]() | John Playford 1651 Philippe Callens ~2018 Playford Ball | Colin Hume | 4 Couple Longways |
| Eggshell Whimsy | ![]() | Walsh 1731 Scott Higgs 2018 | ![]() | 3 Couple Longways permutation: 231 |
| Barham Down ~ Black | ![]() | Henry Playford 1701 Daisy Black 2019 | Colin Hume | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Jack Pudding ~ Lovelace | ![]() | Lovelace Manuscript ~1649 George Williams 2021 | Colin Hume | Custom permutation: 231 |
| The Merry Andrew ~ Lovelace | ![]() | Lovelace Manuscript ~1649 George Williams 2021 | Colin Hume | Custom permutation: 231 |
| Dunkirk ~ Lilley | ![]() | John Young 1718 Bob Lilley ~2023 | ![]() | Duple Minor |
| Barker's Maggot | ![]() | John Young 1706 Andrew Shaw 2024 | ![]() | Duple Minor |
| Beaus Retreat ~ Andrew Shaw | ![]() | Nathaniel Kynaston 1716 Andrew Shaw 2024 | ![]() | 3 Couple Longways permutation: 231 |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 32 | 32 | 17 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Also known as: Gate, Assisted Cast.
Bars: 4.
Two adjacent dancers join inside hands then one walks forward, the other backward turning in a circle about their joined hands. The one backing up is said to be "gating" the one going forward.
This appears to be a modern figure. Douglas & Helen Kennedy describe it (but do not use the term "gate") in their interpretation of Abergenny, though they do not name it. (Colin Hume has a different interpretation of this dance which does not use a gate figure.)
Porter, Heffer, & Heffer also describe a gate figure in their interpretation of The Bishop from 1931, but again they do not name it. They use it again in their own dances The Happy Clown, and The Northern Lass, published in 1932.
In the mid 1970s, Pat Shaw uses the figure in The Amazed Geneticist but still doesn't call it a gate.
The first use of "Gate" that I can find comes from Fried de Metz Herman's Yola's Invitation devised 1978.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.