

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Ah! Belinda | ![]() | Pat Shaw ~1970 | ![]() | 6 Couple Longways |
| The Artful Dodsons | ![]() | Renée Camus 2022 | Dave Bartley, Ruthie Dornfeld and Terry Wergeland | 3 Couple Longways permutation: 231 |
| As You Were | ![]() | Renée Camus 2020 | Colin Hume | 3 Couple Longways |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Bonny Kate of Perth | ![]() | a Person of Quality 1718 Andrew Shaw 2009 | ![]() | 3 Couple Longways permutation: 231 |
| Bromely Assembly | ![]() | Johnson 1751 Fried de Metz Herman 1995 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Cannock Chase | ![]() | Charles Bolton 1991 | Dave Bartley, Ruthie Dornfeld and Terry Wergeland | 3 Couple Longways permutation: 312 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Devonshier Gairl | ![]() | John Young 1718 Charles Bolton 1997 | ![]() | 3 Couple Longways permutation: 231 |
| Devonshire Girl | ![]() | John Young 1718 Charles Bolton 1997 | ![]() | 3 Couple Longways permutation: 231 |
| Divanshire Gairl | ![]() | John Young 1718 Charles Bolton 1997 | ![]() | 3 Couple Longways permutation: 231 |
| Divonsshire Gairl | ![]() | John Young 1718 Charles Bolton 1997 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Gold for the Mahieus | ![]() | Philippe Callens 1988 | ![]() | 3 Couple Longways permutation: 231 | |||||||||||||||
| Golden Dolphins | ![]() | Sue Carter 2005 | Colin Hume | 5 Couple Longways permutation: 24153 | |||||||||||||||
Grunion Run
| |||||||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Highland Lass #2 | ![]() | John Young 1718 Charles Bolton 1997 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| John's Maggot | ![]() | Victor Skowronski 2003 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Kevin's Celebration Waltz | ![]() | Colin Hume 2018 | Colin Hume | 5 Couple Longways permutation: 25413 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Masquerade Royal ~ Triple, Williams | ![]() | John Young 1718 George Williams 2021 | ![]() | Triple Minor |
| The Mumping Maid | ![]() | Marjorie Heffer & William Porter 1932 | ![]() | Custom3 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Nimrod's Revenge | ![]() | Bob Lilley 1987 | ![]() | 3 Couple Longways permutation: 231 |
| Nutkin's Hornpipe | ![]() | Brooke Friendly/Chris Sackett 2013 | ![]() | 3 Couple Longways |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Patrick's Waltz | ![]() | Philippe Callens 1995 | ![]() | 3 Couple Longways |
| The Pharmacist's Pleasure | ![]() | Philippe Callens 2003 | ![]() | 3 Couple Longways permutation: 312 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Rememberance | ![]() | Brooke Friendly/Chris Sackett 2007 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Scotch Billy | ![]() | Walsh 1731 Tom Cook 1979 | ![]() | 3 Couple Longways permutation: 231 |
| The She Favourite | ![]() | Nathaniel Kynaston 1711 Andrew Shaw 2002 | ![]() | 3 Couple Longways permutation: 312 |
| Shira Delight | ![]() | Brooke Friendly/Chris Sackett 2009 | ![]() | Triple Minor |
| Skipping Det | ![]() | Philippe Callens 1993 | ![]() | 3 Couple Longways permutation: 312 |
| Smith's Boree | ![]() | John Young 1726 Ken Sheffield 1995 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Temple Barr ~ Williams | ![]() | John Young 1718 George Williams 2021 | ![]() | Triple Minor | ||||||||||
| Through the Looking Glass - Camus | ![]() | Renée Camus 2022 | Dave Bartley, Ruthie Dornfeld and Terry Wergeland | 3 Couple Longways permutation: 231 | ||||||||||
| Tomson's Whim | ![]() | Nathaniel Kynaston 1718 Andrew Shaw 2006 | ![]() | Triple Minor | ||||||||||
| The Touchstone ~ Apted | ![]() | Thompson 1780 W. S. Porter, M. Heffer, A. Heffer 1931 Playford Ball | Colin Hume | 3 Couple Longways permutation: 231 | ||||||||||
| A Trip to Halsway Manor | ![]() | Philippe Callens 1998 | ![]() | 3 Couple Longways permutation: 231 | ||||||||||
| A Trip to Highgate | ![]() | Thompson 1777 W. S. Porter, M. Heffer, A. Heffer 1931 | Colin Hume | Triple Minor | ||||||||||
A Trip to Islington
| ||||||||||||||
| Twelfe Eve | ![]() | Henry Playford 1702 Andrew Shaw 2024 | ![]() | 3 Couple Longways permutation: 312 | ||||||||||
| Twelfth Eve | ![]() | Henry Playford 1702 Andrew Shaw 2024 | ![]() | 3 Couple Longways permutation: 312 | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Worth the Wait | ![]() | Gary Roodman 2018 | Anna Patton, Eric Martin, and Karen Axelrod | Duple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 31 | 34 | 10 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Bars: 8.
A Morris Hey is a variant of a Mirror Hey except that most mirror heys have the top couple dancing in between the middle couple to start while the middle couple moves out, in a morris hey the top couple cast out, while the middle couple dances up and in.
Scottish Country Dancing uses the figure, but doesn't seem to have a term for it, just calling it a mirror reel.
Mirror heys can be done with any number of couples. A three couple hey is the most common, but there are also dances with 4 couple mirror heys. I haven't seen any for 5 or more dancers, but there could be.
Henry Playford probably describes half a morris hey in Twelfe Eve, in 1702. There are a number of dances after that where John Young or Walsh have the 1s doing a Hey with the 2s+3s on the sides, followed by the 1s casting down. A modern interpreter who looks at this will call for a morris hey (because it will flow nicely into the cast), but it's not clear that's what was originally intended. An example of this is Kynaston's Tomson's Whim from 1718.
The first use of the term that I can find is from Porter, Heffer & Heffer's interpretation of A Trip to Highgate (a dance written by Thompson in 1777 and the original does not include any heys at all).
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